Colours in the development of Wittgenstein’s Philosophy
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Chapter 1. Introduction; Marcos Silva.- Chapter 2. Visual Images, Colored Patches, and ‘Minima Visibilia’ ; Ludovic Soutif.- Chapter 3. Incompatible colours and the development of Wittgenstein's philosophy; Andrew Lugg.- Chapter 4. ‘Tractatus’ objects and the logic of color incompatibility; Dale Jacquette.- Chapter 5. What Does a Phenomenological Language Do?; Mauro Engelmann.- Chapter 6. Phenomenology as Logic of Content; Mihai Ometita.- Chapter 7. Visual space, colors and generality; Anderson Nakano.- Chapter 8. Wittgenstein on contradiction and contrariety; Marcos Silva.- Chapter 9. The grammar of colours advanced in Wittgenstein’ s Middle Period; Axel Barcelos & Salma Saab.- Chapter 10. Wittgenstein on Color; James M. Thompson.- Chapter 11. The Fate of Wittgenstein’s Phenomenology; João Vergílio G. Cuter.- Chapter 12. Wittgenstein on Colour and the Formation of Concepts; Frederik A. Gierlinger.- Chapter 13. Colours, Phenomelogy and Certainty; Marcelo Carvalho.- Chapter 14 . The harmony of colour concepts; Ingolf Max.- Index.
“Even though Wittgenstein’s treatment of colour is pivotal in his philosophy, there are only a few studies on the topic. Featuring inspiring essays by leading scholars in this area, Silva’s collection is a remarkable contribution to rescue the epistemological and logical significance of a major philosophy of colour.” (Nuno Venturinha, Assistant Professor of Philosophy, Nova University of Lisbon, Portugal)
“This volume addresses a significant gap in the existing, easily available literature on Wittgenstein. Not least because it concerns a Wittgenstein who is not represented by his two main books, the Tractatus Logico-Philosophicus and the Philosophical Investigations. Most of the papers here concern a key strand of the crucial and fascinating 'middle period' of Wittgenstein's philosophical development, including his 'phenomenological' period, between his return to philosophy in 1929 and the shift a few years later towards that extraordinary mode of philosophising that issued in the Philosophical Investigations. That strand of course is colour, for example how to make sense of propositions like nothing can be black and white and a red all over, how to dovetail an account of their apparent necessity with the equally apparent fact that it is not a logical tautology (or generalisation of a tautology). The connection of this work of 1929-1933 and the late, better known work on colour of 1949-51 is also explored, and the volume features a diverse range of scholars from around the world without harming its focus. "Colours", goes the first line of the Editor's Introduction, "are so familiar that we cannot help wondering why they can be so troublesome and enigmatic.” (Gary Kemp, Senior Lecturer in Philosophy, University of Glasgow, UK)
Extends the discussion on the role of colour within philosophy through it's focused treatment
Moves towards bridging the divide between analytic and continental philosophy in it's analysis of Wittgenstein's thought
Includes supplementary material: sn.pub/extras